Seth Abramson​​

SUMMARY

 

Over a 30-year career in higher education, publishing, criminal investigation, journalism, the arts, and the law, Seth Abramson (MA, MFA, JD, Ph.D.) has worked at Harvard University, Dartmouth College, Georgetown University, Wesleyan University, University of Iowa, University of Wisconsin at Madison, University of New Hampshire, the New Hampshire Institute of Art, the Institute of Art & Design at New England College, University Press of New England, the Committee for Public Counsel Services’ Boston Trial Unit, and the New Hampshire Public Defender’s Nashua Trial Unit.

 

An Iowa Writers’ Workshop and Harvard Law School graduate and attorney in good standing with both the New Hampshire Bar Association and The Federal Bar for the District of New Hampshire, Seth is a retired professor who taught journalism, mass communications, and legal advocacy at University of New Hampshire. He’s also a New York Times–bestselling Donald Trump biographer and Poetry Foundation–bestselling poet. He’s published twenty books across three genres, including five “Best American” anthologies; he’s received several honors for both his creative writing and his journalism.

 

Before and after the Trump administration, Seth worked as a professional art critic and columnist, writing for such publications as the Washington Post, the Dallas Morning News, the Kansas City Star, the Seattle Times, The Economist, The Guardian, Boston Review, HuffPost, The Philadelphia Review of Books, Indiewire, and Poets & Writers. During the Trump administration, Seth was a regular contributor to CNN and the BBC as well as a Newsweek columnist. In 2018 he was named to the National Council for the Training of Journalists’ list of “most respected journalists” in the United States and United Kingdom—one of only nine freelancers so honored.

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He authors two substack publications ranked in the Top 40 worldwide in their subject categories: Proof (#23 in U.S. Politics) and Retro (#28 in History).

 

As the musician and songwriter Hounds, he has released 21 full-length albums and also runs the newly founded music substack, Hounds. You can find Hounds on Spotify here, at YouTube Music here, and at Apple Music (iTunes) here. The Hounds project has ascended as high as the Top 3% of all musical acts on Spotify by monthly listenership.

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FULL BIOGRAPHY

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In late 2008, Seth and Iowa Writers’ Workshop classmate Nathaniel Minton, then a regular in the fiction section of McSweeney’s and the co-screenwriter of The Plague (starring James Van der Beek and Ivana Miličević), developed the idea of an autobiography so over-the-top its readers would presume it to be a deception, even if every word of it were accurate. Minton made the first attempt at this, and was promptly banned from a nonfiction workshop being run by Ed Carey—who was sure Minton’s memoir was in fact fiction (a genre explicitly disallowed in that workshop).

 

After Seth began his research into metamodernism in 2013, just a year before he introduced the Daytime Emmy and Teen Choice Award-winning actor Shia LaBeouf to this post-postmodern cultural philosophy—nearly destroying LaBeouf’s career in the process (read the full story here)—he realized the utility of such an experimental bio lay beyond puckishness. A bio of this sort helps establish that in the digital age it little matters what you say about yourself, as strangers will think whatever they like about you whether it comports with the truth or not. “No one is a human being to anyone else on the internet,” post-reality theorist Jesse Damiani once said. He’s right.

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With this in mind, Seth started putting “anti-blurbs” on the back covers of his published books of poetry. The worse the verbal depredation someone had heaped upon Seth’s head, the more likely it was he’d make it public; he knew that the actual content of his character and accurate details of his life had become immaterial online, so much so that he could explain in advance why his bio seemed like wild over-sharing and critics would still accuse him of being senseless to how he was making himself appear if doing so made him look a fool or asshole. Any why not? The back cover of his poetry book DATA documented his penis size and HDL, among other sensitive medical data.

 

Seth had taken to heart the words of proto-metamodernist David Foster Wallace—a novelist he would later teach as a university professor and be contracted to publish essays about by A24 Films—who wrote the following of the then-imminent digital age in the latter months of 1992:

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The next real literary “rebels” might well emerge as some weird bunch of anti-rebels who dare to back away from ironic watching, who have the childish gall to endorse and instantiate single-entendre principles. Who treat plain old untrendy human troubles and emotions in U.S. life with reverence and conviction. Who eschew self-consciousness and hip fatigue. These anti-rebels would be outdated, of course, before they even started. Dead on the page. Too sincere. Repressed. Backward, quaint, naive, anachronistic. Maybe that’ll be the point. Maybe that’s why they’ll be the next real rebels. Real rebels, as far as I can see, risk disapproval. The old postmodern insurgents risked the gasp and squeal: shock, disgust, outrage, censorship, accusations of socialism, anarchism, nihilism. Today’s risks are different. The new rebels might be artists willing to risk the yawn, the rolled eyes, the cool smile, the nudged ribs, the parody of gifted ironists, the “Oh how banal.” To risk accusations of sentimentality, melodrama. Of over-credulity. Of softness. Of willingness to be suckered by a world of lurkers and starers who fear gaze and ridicule above imprisonment without law.

 

Though DFW couldn’t have known it at the time, his words presaged the concept of the self-aware “LOLcow.” Guided by these words, Seth resolved, starting in 2014, that he would never fear being ridiculed for showing his imperfect self or for believing earnestly in single-entendre principles. Yet such radical sincerity was an absurd ambition, given his lifelong near-clinical ultra-sensitivity. He’d once been told by a therapist that he was at the opposite end of the spectrum from sociopathy, as his life’s struggle had always been to regard himself independent from the perspectives of others.

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Once Seth exited his Foster Wallace phase—all do—he realized that a metamodern autobiography had considerably more utility than just serving as a “proof-of-concept” for the dominant cultural philosophy of the digital age: it underscored that each component of our lives should be precious to us, and that we should have the courage to share with others all we value, with “value” here defined as not merely what pleases us but what we know has shaped us. It was during this stage of his evolution as an early metamodernist that Seth began giving lectures to undergraduate creative writing students that encouraged them to use in their own writing the same metamodern autobiographical techniques Seth had used to detail his autobiography in the poetry collections comprising his Metamodern Trilogy: Metamericana (2015), DATA (2016), and Golden Age (2017).

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Under 200 people ever read those books. But the idea of a metamodern autobiography survives.

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A graduate of Harvard Law School, Seth worked for nine years as a criminal defense attorney and criminal investigator before returning to school to receive two additional terminal degrees, after which he joined the tenure-track undergraduate faculty of the Department of Communication Arts & Sciences at University of New Hampshire, the State of New Hampshire’s flagship public university (R1). He taught in the university’s Professional & Technical Communications, Digital Language Arts, Engineering Technology, and Literary Studies programs; some of his areas of academic specialization were digital journalism, post-internet writing, cultural theory, and legal advocacy (legal writing, case method, and trial advocacy).

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Seth is an attorney in good standing with the New Hampshire Bar Association and the Federal Bar for the District of New Hampshire; a former longtime member of the American Bar Association, New Hampshire High Tech Council, and the National Council of Teachers of English; a former culture columnist and art critic at Indiewire, political essayist at Newsweek, and data journalist at Poets & Writers; and a New York Times–bestselling author.

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Trained as a criminal investigator at Georgetown University (1996) and Harvard University (2000-2001), Seth worked for four public defenders between 1996 and 2007 (three state, one federal), representing over 2,000 indigent criminal defendants during that time in cases that ranged from juvenile delinquency to first-degree murder. He first testified in federal court as a federal criminal investigator for the Georgetown Criminal Justice Clinic (one of the two federal public defender organizations in Washington, D.C.) at the age of 19; represented his first homicide client at age 22 (as a Rule 33 attorney for the Boston Trial Unit of the Committee for Public Counsel Services, or CPCS); and had won a first-degree murder jury trial for the New Hampshire Public Defender by the age of 29—the youngest Granite Stater to do so this century.

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After working for CPCS on major felonies—termed non-concurrent felonies in the Commonwealth of Massachusetts—in Boston Municipal Court and Dorchester District Court in 1999 and 2000, Seth represented misdemeanor clients in Roxbury District Court through the Harvard Criminal Justice Institute from 2000 to 2001. Between 2001 and 2007, he was a Staff Attorney for the Nashua Trial Unit of the New Hampshire Public Defender, working misdemeanor and felony cases in New Hampshire district courts as well as the two Superior Courts in Hillsborough County (the Southern District and the Northern District).

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Seth supervised many professional criminal investigators at the New Hampshire Public Defender, including a former New Hampshire State Police trooper, the Investigations Bureau Chief for the New Hampshire Office of Professional Licensure and Certification, a retired USPS agent, and a professional photographer. At the Criminal Justice Institute in Massachusetts, Seth coordinated his own investigations, drawing from his past education, training, and experience in Washington.

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In New Hampshire, Seth worked alongside his colleagues to strategize criminal investigations in particularly thorny cases. Among those Seth aided in forming their investigative strategies was a future Deputy Associate Attorney General at the Connecticut Office of the Attorney General, a future prosecutor for the Merrimack Police Department, a future New Hampshire Superior Courts judge, and private criminal defense attorneys and of-counsel NGO attorneys now working  across the United States.

 

A 1998 graduate of Dartmouth College (A.B., English), Seth returned to school after his time at the New Hampshire Public Defender and received additional terminal degrees in Creative Writing (MFA, University of Iowa Writers’ Workshop, 2009) and English (MA, Ph.D., University of Wisconsin-Madison, 2016). At University of Iowa, Seth was selected to run the Undergraduate Writers’ Workshop—widely considered one of the most competitive application-only college writing workshops in the world.

 

After he joined the undergraduate tenure-track faculty of the College of Professional Studies at University of New Hampshire—ranked the #11 Public Liberal Arts College in the United States by U.S. News & World Report—Seth co-directed CPS’s 2015 transition into departments and its English program into Digital Language Arts and Professional & Technical Communications degrees in the college’s new Department of Communication Arts & Sciences. These degrees covered topics ranging from digital journalism to technical writing, legal advocacy to post-internet literary and cultural theory, graphic novels to nonfiction writing.

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Seth’s “Digital Creative Writing” course, designed to focus on entrepreneurial white papers for high-concept digital projects rather than conventional print-published literary art, became the first workshop of its kind in the United States in 2016—one that focused on poetics (a key concern in Seth’s doctoral research) rather than aesthetics, and meta-workshopping (the question of how we choose what to write and how we understand what we read) rather than conventional line editing.

 

Seth also co-founded, in 2016, University of New Hampshire’s Legal Advocacy Program, in which he created courses in legal writing and research—most notably, a pre-law course reproducing law school study for undergraduates—and a criminal justice-oriented professional writing course whose curriculum focused on the procedures and policies of the U.S. criminal justice system as well as a panoply of legal advocacy skills such as direct examination and cross-examination, how to write client letters and legal memoranda, opening statements and closing arguments, how to analyze written police reports, and how to structure legal research papers.

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In 2018, Seth was Affiliate Faculty at the New Hampshire Institute of Art; in 2019, he was Affiliate Faculty at the Institute of Art & Design at New England College in Manchester, New Hampshire.

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Seth has been a print and radio journalist since 1994, when at age seventeen he became a sports reporter at The Daily Dartmouth—America’s oldest college newspaper—running print coverage of Dartmouth’s Division I (FCS) football team, the Big Green. This stint began, unfortunately, just a few weeks after the team lost its star QB—Jay Fiedler, future five-year Miami Dolphins starter—to the Philadelphia Eagles of the National Football League. The remainder of the team wasn’t good, though it did include talented defensive back Matt Burke, who Seth spent many Sundays watching the New England Patriots with, and who would end up a coach in the NFL with not just the Dolphins and Eagles but also the Detroit Lions, the Cincinnati Bengals, the New York Jets, and the Arizona Cardinals. Matt is now the Defensive Coordinator for the Houston Texans. (One of Seth’s closest friends at Dartmouth, Peter Freund, would go on to become a co-owner of the New York Yankees, the Major League Baseball official in charge of moving MLB’s Minor League [MiLB] operations to New York City, and, perhaps most amazingly, a co-owner or owner of more than a quarter of all MiLB teams in the United States.)

 

Seth also served for years as a lead radio (color) correspondent for Dartmouth’s Division I men’s college basketball. During the period Seth called basketball games for the Big Green, a quarter of the Ivy League achieved Top 25 status in the national Associated Press rankings (University of Pennsylvania as high as #21, and Princeton University as high as #8) while the League as a whole attained “mid-major” conference status in basketball for the first time in decades, peaking at #14 out of over thirty conferences nationwide.

 

Seth’s work in radio at Dartmouth also included a weekly sports-talk roundtable and an hours-long music block (for which he was the DJ) focusing on American and British psychedelia from 1965 to 1972. 

 

Since leaving college, Seth’s reporting and editorials have been published in both American and British media outlets, including The Washington Post, The Dallas Morning News, The Kansas City Star, The Seattle Times, The Economist, The Guardian, Newsweek, Boston Review, The Philadelphia Review of Books, VRScout, and SBNation (for whom he covered Division I FBS college football, specifically the University of Wisconsin Badgers).

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In the 2010s, Seth was, with PEN/Bingham Award-nominated novelist Chris Leslie-Hynan, the Manager of an education consulting LLC, Abramson Leslie Consulting. Abramson Leslie worked with aspiring novelists, poets, and memoirists to help prepare them for graduate study in their respective fields—creating a model for one-on-one arts mentorship (a model particularly suitable for non-traditional students who had received little manuscript guidance while in school) that was unprecedented at the time. The LLC was incorporated in the Commonwealth of Massachusetts, and the contractors it hired were all terminal-degree-holding professional writers with significant creative writing experience, publishing credits, and pedigrees.

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From 2004 to 2006, Seth ran a media outlet focused on American politics, The Nashua Advocate, whose 2005 nomination for a Koufax Award (and coverage in Rolling Stone for its reporting on the 2004 “Gannongate” scandal within the George W. Bush administration and White House press corps) led to him appearing regularly as a commentator on Air America Radio. While in 2005 The Nashua Advocate became the first-ever blog listed as a news outlet on Google News, the outlet lost this designation due to public complaints and a write-in campaign organized by far-right pundit Michelle Malkin and readers of her website. The listing of blogs on Google News would later become commonplace, and indeed Proof occasionally shows up in such searches. 

 

From 2008 to 2013, Seth was a reporter and data journalist for Poets & Writers, where he had sole responsibility for the only comprehensive national rankings of graduate (MFA) programs in Creative Writing in the United States. From 2013 to 2016 he was an art critic, culture columnist, and regular reviewer of television, film, and other multimedia at Indiewire. His TV reviews were picked up by major review-aggregator website Rotten Tomatoes, where he retains his “legacy critic” status. From 2010 to 2017, Seth was a columnist and editorialist at HuffPost (now a division of Buzzfeed News), where his research and writing on American politics was shared via social media well over two million times during the 2016 presidential primaries. From March 2017 until election day in 2020, Seth’s tweets (from his “@sethabramson” Twitter account) were retweeted over 100 million times.

 

In January 2023, Politico identified a 56-tweet thread published by Seth in October 2017 as one of the five dozen events in Twitter history that permanently “changed [U.S.] politics.” The magazine cited him as one of the American social media users most responsible for the “rise of the Twitter thread.”

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All told, Seth has around 1.5 million followers across several social media platforms. Among his current and former followers on social media are several of The Avengers (the actors portraying Captain America, Ms. Marvel, The Vision, and The Hulk, for instance); several West Wing cast members (Richard Schiff, Bradley Whitford, and Josh Malina); former Twitter CEO Jack Dorsey; U.S. senator Mitt Romney (from his “Pierre Delecto” sock-puppet account); 2016 Trump national security adviser George Papadopoulos, who made Seth one of his very first follows on Twitter; celebrities including Ricky Gervais, Mark Hamill, John Legend, Seth Rogen, Ed Norton, Anna Kendrick, QuestLove, Dan Harmon, Courtney Love Cobain, Wil Wheaton, LeVar Burton, Grimes, Elijah Wood, Deepak Chopra, Jeff Daniels, Cher, James Corden, Sarah Silverman and hundreds of others; and too many major-media journalists to name, from Nicolle Wallace to George Stephanopoulos, Erin Burnett to Chuck Todd, Jim Sciutto to Chris Cuomo, Stephanie Ruhle to Kristen Welker, Van Jones to Ronan Farrow, Bill Kristol to S.E. Cupp. At points Seth came tantalizingly close to finding a partner for turning his political nonfiction into a multi-season true-crime series; Rob Reiner (A Few Good Men and The American President) and Sam Esmail (Mr. Robot and Homecoming) have expressed interest. Multimedia rights for the 3,000-page, five-book, national-bestselling “Proof” series (see below for more) remain available.

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Seth is represented by Jeff Silberman of Los Angeles-based Folio Literary Management.

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After the election of Donald Trump in late 2016, Seth became both a Newsweek political columnist and a regular commentator on U.S. politics on CNN and the BBC, with additional interviews by (among many others) CBS, CBS Radio, MSNBC, CNBC, NBC Radio, ABC News, ABC Radio, NPR, PBS, the CBC, HBO, Bloomberg, the Columbia University School of International and Public Affairs, Columbia Journalism Review, The Washington Post, The New York Times, Newsweek, Politico, New York Magazine, Time, Vanity Fair, The Boston Globe, Congressional Quarterly, The Chronicle of Higher Education, Der Spiegel, Playboy, the New York Daily News, The Wall Street Journal, USA Today, The Sunday Times (UK), Slate, Roll Call, The Philadelphia Inquirer, the “Under the Skin” podcast with Russell Brand, various political programs on SiriusXM Radio, and many others. He was the featured on-air interviewee on HBO’s Real Time with Bill Maher (a week after Salman Rushdie and a week before Democratic Congressman Adam Schiff) and the featured monthly interview in Playboy (between Sam Harris of the so-called “Intellectual Dark Web” and Tarana Burke of the #MeToo movement). In the late 2010s, Seth gave what was then—and will likely always remain—the shortest interview in the history of Playboy, an exchange with essayist and Esquire writer-at-large Luke O’Neil about social media platforms that exclusively comprised a two-digit number (“42”).

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Besides the aforementioned Brand and Maher, Seth has been interviewed by everyone from ex-Trump attorney Michael Cohen to former CBS News anchor Dan Rather, Mediaite owner and former MSNBC general manager Dan Abrams to Pulitzer Prize finalist and deputy editorial page editor for the Washington Post Ruth Marcus. In 2018, he declined to be interviewed by Andrew Marantz of the New Yorker for a feature article; he also declined both an invitation from Tucker Carlson to appear on Fox News and several approaches from the Kremlin-controlled RT network—which has since made a habit of castigating him in TV and digital reports. He has faced lawsuit threats from Trump National Security Advisor Michael Flynn, longtime Trump confidant and political adviser Roger Stone, Proud Boys founder Gavin McInnes, Trump National Security Advisory Committee deputy chair J.D. Gordon, and individuals close to Trump attorney Sidney Powell, pillow salesman/recovering drug addict Michael Lindell, and Stop the Steal co-founder Ali Alexander. A convicted antisemitic terrorist—one sung about in a Donald Glover song—once put a digital fatwa on Seth on the dark web. Seth has received death threats of both domestic and foreign origin, including one that required contacting the FBI and another that hailed from Saudi Arabia. The New York Post identified him, via a March Madness-style bracket, as one of the 32 leading American critics of the first presidential administration of Donald Trump (2017 to 2021).

 

His political writing and research was widely cited in TV, radio, print and online in the Trump era, with discussions on CBS, CBC, CNBC, PBS, NPR, Fox News and BET, as well as Politico, Newsweek, Time, The Washington Post, Rolling Stone, The Philadelphia Inquirer, The Atlantic, The Los Angeles Times, The Guardian, The Daily Mail, The Chicago Tribune, The Weekly Standard, The New Yorker, Vibe, People, Vox, The Hill, The New York Post, The Times of Israel, The Week, and many others.

 

Ellen McCarthy of The Washington Post has written that Seth attained “prominence in the collective American consciousness” as a result of Donald Trump’s presidency.

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The most recent citation of Seth’s journalism was in the 2023 #1 New York Times bestseller Oath and Honor, written by former Wyoming congresswoman Liz Cheney (R), a member of the House January 6 Committee. During the period the HJ6C was sitting in 2022, it both contacted Seth for his input and cited his work in its congressional publications. Seth’s name also appears in the private data stolen by the FSB from the Democratic National Committee and Hillary Clinton during the Trump-Russia scandal, which data was published by Julian Assange’s WikiLeaks.

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In October 2018, the National Council for the Training of Journalists named Seth, as a freelance journalist, to its annual roster of the “most-respected journalists” in the United States and the United Kingdom. Voted on by British journalists, the NCTJ list featured only nine freelancers; other journalists honored by the NCTJ in 2018 included Pulitzer Prize winners Bob Woodward and Ronan Farrow and Emmy- and Murrow Award-winning CNN reporter Christiane Amanpour.

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In November 2018, Simon & Schuster published Seth’s New York Times and USA Today bestselling book on Trump-Russia collusion, Proof of Collusion, which took readers through four decades of Trump’s ties to Russia, with a particular emphasis on the events of the 2016 presidential election.

 

The 450-page book contained 1,650 endnotes and 2,000 major-media citations.

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In September 2019, Macmillan published Proof of Conspiracy, Seth’s New York Times, Wall Street Journal, USA Today, and Publishers Weekly-bestselling book on the transnational pre-election geopolitical conspiracy—centered on the Middle East—that helped Trump win the White House.

 

Also a national bestseller at Amazon, Audible, Barnes & Noble, and iTunes (and attached to an online archive of 3,250+ endnotes and 4,330 major-media citations), the 600-page Proof of Conspiracy chronicled the so-called “Red Sea Conspiracy,” the plot by which the leaders of Russia, Israel, Saudi Arabia, Egypt, and the United Arab Emirates conspired to assist Donald Trump in becoming President of the United States.

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In September 2020, Macmillan published Proof of Corruption, the conclusion of the Proof Trilogy. The book focused on Trump bribery scandals involving the COVID-19 pandemic, the presidential election of 2020, Ukraine, China, Turkey, Iran, and Venezuela, along with major updates on earlier Trump scandals involving Russia, Israel, Saudi Arabia, and the United Arab Emirates. Proof of Corruption was a USA Today bestseller, as well as making pre-order and post-release national bestseller lists at Amazon, Audible, Barnes & Noble, Apple Books, Books-A-Million, and Walmart.

 

Its archive of 5,000 major-media citations is now free online at www.sethabramson.net.

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In October 2020, Seth released Proof: A Pre-election Special, a limited-series podcast co-hosted by former Vice editor Thomas Morton and Produced by Cineflix. A 10-episode explainer of key facts from the epic, 2,500-page Proof Trilogy—unpacking several of its most shocking revelations across a dozen hours of audio—the podcast reached Apple Podcasts’ Top 10 in the Government category in 31 countries, including the United States, Australia, Austria, Belgium, Canada, Chile, China, Croatia, Denmark, Finland, France, Germany, the United Kingdom, Ireland, Japan, Kenya, Luxembourg, Malaysia, Mexico, the Netherlands, New Zealand, Nigeria, Norway, Peru, Qatar, Romania, Singapore, South Africa, Sweden, Switzerland, Thailand, and the UAE.

 

The podcast reached the Top 5 in 24 of these countries, and the top two spots in a dozen (the United States, Canada, Croatia, Finland, Ireland, Luxembourg, the Netherlands, New Zealand, Peru, Romania, Singapore, and South Africa). In all, episodes of the Proof podcast were viewed or downloaded nearly 100,000 times in the weeks immediately preceding the 2020 U.S. presidential election.

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In January 2021, Seth founded Proof, a 14-section media outlet on Substack that became the top-ranked Culture substack in the world within its first 120 days of operation and is now ranked in the Top 25 of Substack’s newly developed U.S. Politics section. In 2022, Proof published the fourth book in the Proof series, Proof of Coup: How the Pentagon Shaped An Insurrection. The 250-page book, which focuses on events leading up to the armed attack on the United States Capitol on January 6, 2021, has been read by tens of thousands of readers from around the world. According to internal Substack data, Proof has subscribers in every state and in 158 of 195 foreign nations.

 

You can find Proof at sethabramson.substack.com.

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In October 2021, Seth founded Retro, another media outlet published via Substack. Retro covers music, TV, film, books, memes, video games, toys, and a host of other arts-and-culture-oriented topics, with a special emphasis on “vintage” cultural phenomena. Retro is ranked among the Top 25 History substacks in the world, and has been particularly noted in major media for its 2021 coverage of multimillion-dollar scandals plaguing the sealed-and-graded collectibles industry.

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You can find Retro at retrostack.substack.com.

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Following Elon Musk’s purchase of Twitter in October 2022, Seth immediately became interested in the Tesla CEO’s emerging role as a political influencer, provocateur, and kingmaker. He began writing a biography of Musk, and by December 2022 an “Elon Musk” section had been added to Proof. By the end of 2024, Seth had written and published online the equivalent of two full-length biographies of Musk.

 

Seth’s biographical research and writing on Musk came to national attention just as the second Trump administration was forming. His approach to Muskology broke with the hagiographical bent of nonfiction concerning the man (e.g., in recent biographies by Ashlee Vance and Walter Isaacson) by way of determining him to be a pathological liar and therefore an unreliable source.

 

While major media’s first treatment of Seth as a Musk biographer with a fresh take on the world’s richest man came in August 2024, via a report by Newsweek on an online spat between Seth and Musk over whether Musk had refused to remotely disable a new Cybertruck held by a Chechen warlord who claimed Musk had gifted it to him—during the spat Musk called Seth a “retard,” only to later reveal that, contrary to his claims during the dispute, he indeed had the power to control Cybertrucks remotely—it wasn’t until January of 2025 that media the world over began frantically seeking experts on Musk’s recent forays, both online and off, into American and global politics.

 

In early 2025, news reports in The Daily Beast, CNBC, Yahoo News, The Wrap, The Daily Mail (UK),

The Mirror (UK), The International Business Times, The Economic Times, The Times of India, The Mary Sue, Pravda (Ukraine), and NDTV covered both Seth’s reporting on Musk’s apparently declining mental health, the aforementioned scandal in Chechnya, and the entrepreneur’s rather puzzling appearance at a Mar-a-Lago dinner intended to include only Trump and Amazon CEO Jeff Bezos, the latter Musk’s rival in the arena of private spaceflight as well as an ongoing competition to try to become (and remain) the world’s richest man. As it happens, Jeff Bezos follows Seth on Twitter, despite subscribing to only 420 feeds.

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Since the start of the second Trump administration, Seth has been in extremely high demand as a Musk biographer, fielding interview requests from domestic and international media outlets such as the BBC, CNN, MSNBC, CNBC, The Times of London, The Sunday Times (UK), Times Radio (UK), The Daily Beast, Polygon, Techcrunch, Cuomo on NewsNation, Choice Words with Samantha Bee (podcast), The Morning Meeting (a podcast hosted by former White House Press Secretary Sean Spicer, former ABC News Political Director Mark Halperin, and the former chief of staff to Democratic Colorado governor Jared Polis, Dan Turrentine), The Sun (UK), The Telegraph (UK), NTV Media (Russia), 7 News (Australia), Television Programme Piazzapulita (Italy), Veja Magazine (Brazil), The Irish Star (Ireland), El Confidencial (Spain), i24news (Israel), Il Fatto Quotidiano (Italy), the Leeds International Festival of Ideas, Interesting Engineering, KSHP 107.1 FM Las Vegas, and others. He’s now working with a UK production studio on a full-length documentary on Elon Musk’s personal, professional, and political radicalization this century.

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Seth’s first discrete biographical work on Musk, Proof of Destruction: The Musk Insurrection As It Happened, was published in February 2025 and is the sixth book in the bestselling Proof Series.

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His second discrete biography of Musk, Proof of Devolution: The Long Hard Fall of Elon Musk, will focus on the entrepreneur’s pre-Trump life and be published in late 2025. The Musk Trilogy will conclude with a third untitled book currently scheduled for publication in late 2026 or early 2027.

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In the mid-2010s, Seth co-founded—and for a decade thereafter was the co-series editor for—an annual anthology of experimental writing encompassing every literary genre and various hybrid genres, Best American Experimental Writing (Wesleyan University Press). From 2017 to 2019, Seth was editorial director of the New Hampshire city newspaper The Manchester Independent. Prior to his co-founding of the Best American Experimental Writing series, Seth co-founded and was poetry editor for The New Hampshire Review (2004-05). He has also served on the editorial staff at the University Press of New England (1994-98), The Iowa Review (2008-09), Crazyhorse (2009), and Devil’s Lake (2009-11), the last of these a publication of University of Wisconsin at Madison. The fifth edition of Best American Experimental Writing, Best American Experimental Writing 2020, was published by Wesleyan University Press at the end of 2020.

 

Guest editors for the BAX series have included such celebrated authors as National Book Award finalists Carmen Machado, Cole Swensen and Douglas Kearney; winner of the Bollingen Prize, Charles Bernstein; and Guggenheim Fellowship recipients Joyelle McSweeney and Tracie Morris.

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Writing isn’t the only skillset that Seth has been asked to judge, however. Along with variously acting as a first, second, and final reader for university creative writing contests around the country, Seth has been a judge for the National Moot Court Competition, for an Illinois poetry slam hosted by Marc Smith—the inventor of “slam poetry”—and for an international contest for developers of indie 8-bit video games for the Nintendo Entertainment System, the Byte-Off.

 

His historical research into the wild history of Atari 2600 and NES homebrews at Retro has been accepted for inclusion in the archive of this data organized by the archivist for Atari Inc., the 21st-century corporate incarnation of legendary 1970s, 1980s, and 1990s video game developer Atari.

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But Seth’s expertise isn’t only focused on past events. He’s also worked as professional consultant

on futurist projects aimed at determining likely medium- and long-term outcomes for the United States, and he’s also liaisoned with key media and political figures on this topic, from Van Jones of CNN to former White House Press Secretary Anthony Scaramucci. He has been invited to lecture on AI at University of Southern California and on the future of urban architecture at University of Michigan, among other such future-oriented endeavors.

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Seth has authored or edited eighteen books, including An Insider’s Guide to Graduate Degrees in Creative Writing (reference, Bloomsbury, 2018); Golden Age (poetry, BlazeVOX, 2017); DATA (poetry, BlazeVOX, 2016); Metamericana (poetry, BlazeVOX, 2015); Thievery (poetry, University of Akron Press, 2013), winner of the 2012 Akron Prize; Northerners (poetry, Western Michigan University Press, 2011), winner of the 2010 Green Rose Prize and a Poetry Foundation–bestselling collection; and The Suburban Ecstasies (poetry, Ghost Road Press, 2009), which was shortlisted for the 2007 Many Mountains Moving Prize. An unpublished seventh collection of poetry, Superhumanism, was a semifinalist for The Brittingham Prize.

 

Additional literary awards given to Seth’s creative writing include the J. Howard and Barbara M.J. Wood Prize from Poetry, a Teaching-Writing Fellowship from the Iowa Writers’ Workshop, the August Derleth Fiction Prize and Alexander Chambers Essay Prize from the University of Wisconsin at Madison, and a selection by former U.S. Poet Laureate Mark Strand for Best New Poets (University of Virginia Press, 2008).

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Seth has three in-progress novels that were started over a 30-year span: Smokin' Yella, a work of detective fiction; The Book of Pumpkins, an epic, Halloween-themed young-adult fantasy; and The Commonwealth, a gritty suburban drama about teenagers caught up in a network of Dungeons & Dragons-themed gangs in Massachusetts in the 1980s. The first chapter of the last of these won the aforementioned August Derleth Fiction Prize from University of Wisconsin at Madison. Seth’s first book, however, was Atlas 1999, a reference book written when he was 14 and intended to be the manual for a sprawling, counterintelligence-themed role-playing game set in the real world.

 

Seth submitted Atlas 1999 to the then-popular Steve Jackson Games in 1990—unbeknownst to him, in the midst of one of the most infamous counterintelligence-related scandals in U.S. history, which saw the U.S. Secret Service raiding Steve Jackson Games and wrongly confiscating some of its fictional work-product as supposed evidence of espionage. This bizarre episode would later be immortalized in a federal civil lawsuit, Steve Jackson Games, Inc. v. United States Secret Service, 816 F. Supp. 432 (W.D. Tex. 1993).

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Seth has published verse in hundreds of venues, including state reviews (e.g., Alaska Quarterly Review, California Quarterly, Colorado Review, Florida Review, Hawaii Review, Indiana Review, The Iowa Review, Minnesota Review, Mississippi Review, New York Quarterly, North Dakota Quarterly, South Dakota Review, Texas Review, and Wisconsin Review); city reviews (e.g., Boston Review, Brooklyn Review, The Cincinnati Review, Denver Quarterly, The Louisville Review, Madison Review, The Manhattan Review, New Orleans Review, Portland Review, and Seattle Review); reviews housed at universities (e.g., AGNI at Boston University, Bat City at University of Texas in Austin, Columbia Poetry Review at Columbia College Chicago, Conjunctions at Bard College, Gettysburg Review at Gettysburg College, Gulf Coast at University of Houston, LIT at The New School, Harvard Review at Harvard University, Meridian at University of Virginia, Jubilat at University of Massachusetts at Amherst, Notre Dame Review at University of Notre Dame, The Southern Review at Louisiana State University, and Western Humanities Review at University of Utah); and major independent reviews (e.g., Poetry, Fence, Salmagundi, Verse, The Academy of American Poets, American Poetry Review, New American Writing, and Crazyhorse).

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From 2000 to 2002, Seth was on staff as a moderator at The Alsop Review’s Gazebo, one of the first creative writing workshops on the internet and the subject of a New Yorker investigation on how American poetry adjusted to the dawn of the digital age. At the time, the Gazebo (or “Gaz”, as its hundreds of participants called it) was home to an astonishing array of up-and-coming creative writers on the cusp of their big break, including but by no means limited to: children’s novelist Linda Sue Park, winner of the 2002 Newbery Medal; Guggenheim Fellow and Whiting Award-winning poet Paul Guest; Booker Prize finalist and Dylan Thomas Prize-winning novelist Patricia Lockwood; A.E. Stallings, a poet and translator who has been both a Guggenheim and MacArthur Foundation fellow as well as a finalist for both the Pulitzer Prize and the National Book Critics Circle Award, and who currently serves as Oxford University’s 47th Professor of Poetry (one of the most prestigious literary appointments in the English-speaking world); the poets laureate or Poets of the Year of several states, including New Hampshire (Patricia Fargnoli) and Alabama (Sue Scalf); and former, current and future college lecturers and professors such as Frances Leviston (University of Manchester), Don Taylor (Wichita State University), Claudia Grinnell (University of Louisiana at Monroe), Ciaran Berry (Trinity College), Terese Coe (New York Institute of Technology), Matthew Sperling (University College London), and others.

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Seth’s seminal essays on a burgeoning post-postmodern cultural philosophy, metamodernism—the subject of his Indiewire column, much of his writing at HuffPost, and his academic research at University of New Hampshire—were credited by Sturgill Simpson as being part of the inspiration for his Grammy Award-nominated alt-country album, Metamodern Sounds in Country Music. These essays are now regularly cited in academic journals and treatises on metamodernism.

 

The critical theorist who coined the term and first developed the concept of metamodernism in 1975, University of Oregon and Syracuse University professor Mas’ud Zavarzadeh, has said of Seth that his “work on the poetics and the analytics of metamodernity is a very important conceptual contribution to contemporary theory.”

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Seth has guest-lectured on metamodernism and other topics (including experimental poetics, higher education, the disciplinary history of English, criminal investigations, and contemporary American politics) at many colleges and universities, including Harvard University, University of Wisconsin at Madison, University of Iowa, Bard College, New England College, Northwestern University, University of Michigan, University of Amsterdam, University of Maine at Farmington, University of Wisconsin at La Crosse, The Pratt Institute, Illinois Wesleyan University, Manhattanville College, Drake University, Madison College (WI), St. Edward’s University (TX), and Southeastern Community College (IA).

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Pre-college, Seth was an award-winning Spanish student (with six years of study) and Hebrew tutor (with nine years of study); post-college, he took his mandatory doctoral language exam in French. During his doctoral program he worked for years teaching English Composition to Chinese foreign nationals at one of the largest university writing centers in the United States. In the late 1990s, he became so obsessed with “Cool Cymru” that he tried to teach himself Welsh. At present he’s working through an intensive daily course to learn to read, write and speak Swedish.

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A lifelong lover of both sports and music, Seth has worked as an award-winning tennis instructor at the historic Cape Cod Sea Camps in Massachusetts; been a member of the Dartmouth Squash Club; and was, in his youth, an all-star soccer and baseball player who played on select, traveling, indoor, and state tournament teams in these sports across 30 seasons of participation combined. At Dartmouth College he was an avid golfer; in high school he played in a B’nai B’rith International basketball league.

 

At other times he’s made extended—even years-long—attempts to become adept at certain less-common sports, among them darts, croquet, shuffleboard, four-square, badminton, kickball, flag football, 20-a-side Boston-style “relieveo” (played across a whole zip code in rural Massachusetts), horseback riding (in which he took a college course), gymnastics (in which he took several years of lessons), ballroom dancing (more lessons), archery (more lessons), airgun riflery (more lessons), ice skating (more lessons), bowling, weightlifting, cycling, tetherball, cross-country skiing, and ping pong. He can’t throw a Frisbee—and can make no claim to having retained his former athleticism—but he remembers that time in his life with great fondness nonetheless.

 

Before leaving for college at age 17, Seth had studied piano, drums, the hammered dulcimer, and voice, immersing himself in musical experiences that ranged from playing a single snare drum in a Billy Joel cover band to singing in an a cappella group, from being the Vice President of his high school choir to giving piano recitals and singing in a group specializing in Renaissance madrigals.

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He has also dabbled in the recorder, the harmonica, the synthesizer, the bass drum—which he played more or less indifferently in an orchestra for a time—and the kazoo. While a student at Harvard Law School from 1998 to 2001, he was a regular at Twisted Village, the famous but now-shuttered psychedelia-focused Cambridge, MA record shop owned by Wayne Rogers and Kate Biggar (two of the four members of the band Magic Hour, with Damon Krukowski and Naomi Yang of seminal neopsychedelic band Galaxie 500). Rogers and Biggar would later form the band Major Stars.

 

Seth is currently an EDM musician and indie-pop songwriter who has released twenty albums—sixteen LPs and four compilations—under the studio name Hounds (in honor of his two rescue hounds, Quinn and Scout). The first eleven of these LPs were released for full Retro subscribers, while the next nine have been released on two dozen streaming platforms across the world. As of mid-January 2025, Hounds has over 5,000 monthly listeners on Spotify, and is ranked in the Top 4% of all musical artists on that platform by popularity. One of his songs, a political protest song titled “FAFO,” went viral around the time of the second Trump inauguration and can be found here.

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You can find Hounds—including much online-exclusive music—at houndsmusic.substack.com.

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You can listen to Hounds on Spotify here, YouTube Music here, or Apple Music (iTunes) here.

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Seth’s influences as a musician include the sixties psychedelia he used to specialize in as a radio DJ in the 1990s; TV, film, and especially video game scores; and trance, folk, and post-rock music.

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Among Seth's other areas of interest and expertise are eighties-nostalgia touchstones like LEGO—he owns what is likely one of the larger collections of the plastic building bricks in New England—and Nintendo Entertainment System games, specifically “homebrew” (or “independent”) NES games developed this century. Retro includes the largest archive and ranking of such games in the world, featuring more than 1,000 NES titles developed after the lifespan of the system ended. His expertise in aftermarket eight-bit games led to him being selected to serve as the final judge in the aforementioned “Byte-Off” game-development competition. He also publishes a ranking at Retro of the best mobile games for Android, and has worked hard in this decade to expand his expertise in that area. Retro’s mobile-game rankings include hundreds and hundreds of top titles.

 

Seth collects sealed-and-graded vintage video games (besides NES games, games for the Atari 2600, Intellivision, SNES, PS2, and Sega Dreamcast); baseball caps; psychedelic-LP CD reissues from the 1980s and 1990s; Dungeons & Dragons reference books; LEGO-built G.I. Joe figures; and other equally esoteric items a nerd or dork who grew up in the mid-/late 80s would feel drawn to.

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Among the jobs Seth has held not mentioned above are chauffeur, ice cream shop server, copy editor, secretary, marketing department assistant, sandwich shop employee, assistant to a town planner, and paralegal.

 

Outside his 32 years of unbroken employment, Seth’s life has been just as frenetic. Shia LaBeouf told a Forbes reporter at SXSW that his art practice is significantly influenced by Seth’s essays on metamodernism; Seth once spoke to Captain America (Chris Evans), Luke Skywalker (Mark Hamill) and a main cast member from his favorite TV show (Community) on the same day. He’s at various times been a victim of Burglary, Assault (while serving process in a junkyard in Vienna, VA), Identity Theft, Defamation, Criminal Threatening, Criminal Mischief, and Fraud, yet he remains a staunch proponent of civil rights and civil liberties, and was proudly a member of the Harvard Civil Right-Civil Liberties Law Review.

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Elon Musk has called Seth “an unreadable nonsense machine” and “retarded”, decrying his academic pedigree as “bullshit” in a public dialogue with venture capitalist Marc Andresseen, who for his part called Seth “a pretty interesting cat.” Actor and comedian Russell Brand has said of Seth, “It’s ridiculous how many things Seth Abramson has achieved mastery of....[he’s] charming, informative, brilliant, and bright.” Glenn Greenwald, co-founder of The Intercept, has called Seth “a huge social media star”, while Mary Trump, the niece of Donald Trump, has called his work “amazing.” Former Trump White House Communications Director Anthony Scaramucci has said of the Proof Trilogy, “If all Americans read Seth Abramson’s work, Trump will lose [the 2024 U.S. presidential election] in a landslide.” Lincoln Project co-founder and GOP strategist Steve Schmidt has urged his audience to “Please follow and read everything Seth Abramson writes.” Former primetime CNN anchor Chris Cuomo called Seth a “fire-breather” whose “passion” America “needs,” while New York Magazine deems him a “cult-favorite author.”

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For many more such comments about Seth, including praise for his work from Vanity Fair, Playboy, Rolling Stone, Salon, Politico, the Washington Post, Der Spiegel, and others, see this page.

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Seth is near-sighted, flat-footed, slope-shouldered, cowlicked, stye-prone, acrochordon-prone, cup-earred, hirsute, herniated, graying, balding, ashy, hyperhidrosic, GERD-beset, vertiginous, long-lashed, diabetic, crooked-nosed, insomniacal, occasionally gouty, subclinically agoraphobic, clinically anxious (though in full remission), spectrumy, and suffers from sleep apnea and Steve Blass Disease. When he was in his twenties he was so severely mauled by a dog that he had to have emergency facial reconstructive surgery, an incident that caused what was previously a face roughly symmetrical in its dimensions to develop a slight but still noticeable droop on one side.

 

Seth has a foreign object in one of his eyes that his optometrist says will cause him to go blind in that eye if it moves—though she assures him that it’s unlikely to do so. One time a chicken quill pierced one of Seth’s tonsils, requiring the intervention of a Cape Cod fire department. A hospital x-ray technician once told him that he had the widest hipbone structure she’d ever seen in a man. He has effortlessly raised a sweat inside the Arctic Circle. His belly button once began bleeding uncontrollably due to stress. He once suffered from INMI for three weeks, recovering only after listen to Beach House’s “Space Song” on repeat for three hours. He once “greened out” for three hours (the worst experience of his life). A reporter for The Chronicle of Higher Education once asked to photograph the top of his head because, as the CHE reporter put it, he had “never seen male-pattern baldness like that before.” Seth was once hospitalized for a paralytic ileus.

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Incredibly, despite all the foregoing, Seth is also married—and to the smartest, wisest, and most accomplished woman he’s ever met.

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Prior to getting married, Seth was involved in a number of long-term relationships: with a rugby player, a wedding-dress model, a YA-lit author, a doctor, a yoga instructor, a union organizer, and an award-winning British poet. The strangest place that he ever had sex was at the Metropolitan Museum of Art in New York City; the second-strangest was a subway station on Boston's Red Line; the third-strangest was long-term eighteen-wheeler parking at a rest area on I-95. He once had phone sex with a Halliburton spokeswoman.

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The Abramson Family has lived longer in the Massachusetts zip code it resides in than anyone ever has. The condo block he grew up on in that zip code was so rife with talent that his childhood friends included both Daniel Newbower, a New York City comedian who has worked with WKUK (The Whitest Kids U'Know) and Dan Zoen, an Alaskan folk-pop singer whose records include Bird Point and Silt. Other luminaries included Michael Ames, who as a U.S. Marine in World War II fought in the famed Battle of Okinawa against the Imperial Japanese Army; Dr. Ronald Newbower, a Harvard Medical School and MIT faculty member who both helped administrate the world-renowned Mass General Hospital and invented physiologic instrumentation now used to save countless lives worldwide; and Jeffrey Coleron, a professional voice actor and pianist who has played everywhere from Disney World to Universal Studios, from concerts sponsored by Bill Gates’ Microsoft to events funded by Mark Zuckerberg’s Facebook and Jeff Bezos’ Amazon.

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Seth received a religious education in Reconstructionist Judaism until age sixteen, alongside his secular education at Acton-Boxborough Regional High School, a public institution ranked in the Top 400 U.S. High Schools by U.S. News & World Report, including a Top 20 national STEM ranking.

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From 1992 through 1994, Seth was on the ABRHS Academic Decathlon Team, which ranked first in the Commonwealth of Massachusetts in each of those years and in the Top 10 nationwide.

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There's a history of military service in the Abramson Family. While Seth's great-grandparents were foreigners hailing from Germany, Poland, Lithuania, Romania, and Russia—and therefore did not serve in the United States Armed Forces—one of his grandfathers fought in World War II (in the Pacific Theater), one of his uncles fought in the Korean War, one of his cousins graduated from West Point and is now a retired Army Captain, and another cousin attended the Air Force Academy. His father-in-law served in the United States Army and his father Robert Abramson volunteered to fight in the Vietnam War—years before the pointlessness of that war was widely understood in America—but was declined entry into the military for medical reasons (4-F, vision).

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A project headed up by a well-known indie musician from the bands War on Drugs and Here We Go Magic endeavored for a year to put together a documentary film about Seth’s life; the project was abandoned in large part due to the COVID-19 pandemic (2020–2023). Somewhere out there all the master tapes for the project—hours and hours of interviews in multiple states—still exist.

 

Just so, Proof of Conspiracy was optioned to IDW Comics for the creation of a graphic novel edition shortly after its publication in late 2019, but due to the early-2020 onset of a global pandemic the project has (quite understandably) yet to advance. In the late 2010s and early 2020s, Seth briefly worked with legendary comic artist Scott McCloud—whose work he taught for years at UNH—on a Macmillan graphic novel entitled Citizen Journalist, but Seth decided against moving forward on the project after the COVID-19 pandemic, the January 6 insurrection, and the hostile takeover of Twitter by Elon Musk combined to leave the impression that the timing for such a book was inapt.​

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Seth’s favorite experiences abroad include seeing the Northern Lights from a forest clearing in Sweden; rowing the Grand Canal at Versailles; rockhounding in the windy spray of the Firth of Forth before loafing at an Edinburgh pub; shopping in Old San Juan, the Muslim Quarter of Xi’An, and Xiushui (Silk) Street in Beijing; watching the USWNT defeat Germany in Montreal; proposing to a woman while standing with her knee-deep in the Seine beneath a flashing Eiffel Tower (she said yes, but the relationship didn’t last); traveling across North America, from Boston to Anchorage, with stops in (among other locations) Winnipeg, Saskatoon, Edmonton, and Whitehorse (the Yukon Territory); eating reindeer and boar in Denmark; following a pilot car through then-unfinished sections of the Trans-Can international highway; pedaling through rural villages in Yangshuo County, China; chatting uncomfortably with a lady of the night on a park bench in West London at 2AM; visiting Amsterdam’s Van Gogh Museum while tripping balls; visiting the northernmost McDonald’s in the world just before getting stalked by creepy teens at a Lapland mall in Finland; seeing Michelle Obama and her daughters at the Summer Palace; tobogganing off the top of the Great Wall of China; singing in an international choral concert in Toronto; and driving many hundreds of miles along the western coast of the most beautiful country on Earth: Norway.

 

Seth is also glad to have “visited” (via virtual reality) Riyadh, Abu Dhabi, and St. Petersburg—three locations he likely can’t safely travel to after publishing the Proof Trilogy. Per intelligence agents in the United States who contacted Seth through a major-media intermediary, Ukrainian president Volodymyr Zelenskyy has at least once been observed with a copy of the Ukrainian translation of Proof of Collusion under his arm.

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He is also blessed to have had some quintessential travel experiences right here in America, from lounging in the front row of seats in the House Chamber of the U.S. Capitol to driving across the Golden Gate Bridge; from eating Alaskan salmon in Alaska to eating grits in Tennessee; from lying in a cornfield in Iowa to lying in a cow pasture in Wisconsin; from receiving a guided and chauffeured tour of Los Angeles to investigating crimes on “Murder Avenue” in the Anacostia section of the District of Columbia; from observing a total eclipse of the sun achieve its zenith in Burlington, Vermont to getting shouted at (“White power!”) by a stranger in a passing pick-up in Mississippi and visiting relatives in rural Alabama; from wandering across Pittsburgh alone to wandering across Seattle with friends. He’s sat down in a dimly-lit concrete stairwell behind a courtroom in Roxbury (MA) District Court with sixteen men handcuffed at wrists and feet and dined in Chicago’s finest restaurants, been down to his last dollar in New Hampshire and then, later, as flush as he’s ever been while living in the same state. He’s seen tumbleweed growing on interstates in North Dakota and washed his tired feet in the surf of Sanibel Island in Florida and Hilton Head Island in South Carolina. He sat on the third base line as Rickey Henderson stole home in one of his last games for the Long Island Ducks at the end of a Hall of Fame career and saw the Baltimore Orioles fall to the New York Yankees at Camden Yards in the 1996 ALCS. He did the “Jump Around” at Camp Randall in Madison and briefly felt Irish and Catholic watching the Notre Dame Fighting Irish play Boston College in the “Holy War” at Notre Dame Stadium. He’s driven along the Pacific Ocean on California 1, along the Atlantic Ocean on Maine 1, and along Lake Michigan on a nameless road in Door County (WI). He nailed an interview in Austin, Texas and bombed another bigtime in the nation’s capital. He’s chilled with “crust punks” in Haight-Ashbury and paid for somebody else’s cocaine in Brooklyn. He’s visited the 5.6 million square-foot Mall of America in Minnesota and the claustrophobic “Infinity Room” of the House on the Rock, driven in whiteout conditions in the farmland of southern Illinois and biked hundreds of miles on Cape Cod in Massachusetts.

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